Along with her monochromatic paintings, her oeuvre expands over a large scale and multicoloured works, always following an individual set of iconography in order to form the philosophical whole. The artist explains:''In a world divided by gender categories, religion, racism, politics, intolerance and hatred, the absurdity of our existence can only be countered by aesthetics.'' All the messages, implications and keys given by the objects, animals or people in her paintings, along with mythological and religious connotations, act in a dream like sphere. A clear stylistic or spatial distinction of her works is not ascertain. The depicted figures are seeming to mold into one, confronting and implicating new meanings. Her works stay reserved and open for interpretation.
The artist can be distinguished also by her own approach to materiality, adding to her works another spatial order to connect to the circle of surrealism, which is found in the photographic elements of her works. Her specific approach to creating, reveals itself as following: first painting, then photographing the work, to then, paint over it again. For Niq Nanu Daah, art is the ultimate way of life in which she not only creates a new world by exposing the already existing one but by creating her very own symbolism.
http://www.niqnanudaah.com/content/singapore-art-stage-2016-feedback – https://www.stadt-brandenburg.de/kultur/ausstellungen/kunsthalle-brennabor/niq-nanu-daah/ – https://www.artotels.com/offers/11938573